Experiments in Weirdness, Episode 4: Don't Answer the Phone! (1980) and Prime Evil (1988) - Grindhouse Double Feature

 In this series, "Experiments in Weirdness," I will examine the weirder, darker corners of filmmaking. I do not mean anything negative by calling these films "weird". Many of the films will be artistic, short films by serious and respected artists. Others will be utter trash.


What I have done is to create a list you can find here:


Random Weirdness Generator https://boxd.it/cUdCo


I will randomly select a film from this list and watch it. Mostly I will try to provide my real-time comments.


Another real-time disaster, in two parts:

Well this is grim. Police are buffoons. And the assault scenes are hyper-realistic, to a disturbing and uncomfortable degree

But it's also kind of boring

Okay the LT just stepped up. Gettin' things done.

The DVD looks good for SD.

This movie I'm watching is a classic... A classic time-waster.

One of the many "Don't" horror films

Many of these cult/grindhouse/drive-in movies are deplorable

This movie is so tonally off-balance...

It's got some good comedy moments. And I can see a sort of proto-Homicide feel to the gallows humor and the homicide detectives' attitude where they don't bother with drugs or prostitution...But the killer is so disturbing while the cop story line is more humorous

Wow there's actually some interesting character development

Interesting closing with a silent credit scrawl...It's difficult to respond to this movie. It's definitely unique

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After a brief intermission, on to my second feature.

I'm just gonna start cold because the movie did.

The actress playing this nun has less range than Kristen Stewart.

When breast implants go wrong...

Everyone in this movie feels the need to give expository monologues, like immediately upon being introduced.

This is like someone saw The Exorcist and decided to make their own version, but had neither the time, inclination, nor money to properly research the subject. Low-rent Prince of Darkness.

Every line of dialogue is so frakking literal and on the nose.

Quite entertainingly bad.

I've kind of lost track of the plot by this point. But then again it seems the writer and director have as well.

Both of the films I've watched tonight have been somewhat giallo-inspired...

The actress playing the nun is possibly the worst acting I have seen since beginning this dive to the lower depths of the iceburg...

This is more quickly paced than Don't Answer the Phone!, but with such an aimless plot that's not saying much...

There is a character in this that seems an homage to the killer from the last movie

This character just woke up and is comforted by a maid/housekeeper. This is the first time we saw the character. It's nearly an hour in. Another character has been talking on the phone to her boyfriend the entire movie. He just appeared on screen for the first time. Turns out he's a cop and important to the plot.

Actors stumble in an out of the plot like the drunkards and junkies they're portraying.

More time has been spent with a trio of gym rats than with actual important characters and plot developments.

There's like 20 minutes left but characters are still having second act conversations...

Dude playing the rogue priest sounds like Robin Williams

WHAT THE HELL HAPPENED TO THE NUN??? The one who was infiltrating the Satanists...???

Finally

So the Nun shows up out of nowhere at the end and saves the day...

Then she monologues to all the people she saved like she's known them all her life.

She just met them.

Why should I expect any different from a movie that started three of its first five scenes with characters monologuing?.

It also occurs to me the cop was in an early scene. I remembered this not because of character development or interaction, but because she started the scene with a fucking monologue.

The cop was so bland I forgot 1) that he was in the movie and 2) that he was the main character's love interest.

So, yeah. That happened

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Experiments in Weirdness, Episode 3: Land of the Minotaur, AKA The Devil's Men (1976)

In this series, "Experiments in Weirdness," I will examine the weirder, darker corners of filmmaking. I do not mean anything negative by calling these films "weird". Many of the films will be artistic, short films by serious and respected artists. Others will be utter trash.


What I have done is to create a list you can find here:


Random Weirdness Generator https://boxd.it/cUdCo


I will randomly select a film from this list and watch it. Mostly I will try to provide my real-time comments.


Another real-time thoughts edition:


Donald Pleasence and Peter Cushing! You just know it's gon' be good!


Interesting... Greek production I think? Brian Eno does the music...


Interesting head cannon if this were the same priest from Prince of Darkness...


Donald Pleasence's take on an Irish accent is interesting... Nice to see that an Englishman's Irish brogue is just as bad as an American's.


I think the American copies have a title card switch. Letterboxd has it listed as The Devil's Men.


So far this Mill Creek Drive-In collection set has yielded good results.


The movies are exactly what I expected with my random weirdness.


The villain of the piece has a meet-cute with Final Girl. He is a baron and they're camped on his land. But he cool wit' it.


Man the local police are assholes.


"Your friend is missing... What do you want me to do?"


Well... you're the police. So... Your job? Investigate?


"I can get you a room at the local inn. The owner recently died, so I'll have to check..."


Creepy kid syndrome


No one will be seated during the infamous unpacking-in-the-hotel room scene!


His jewel-encrusted cross also doubles as a comb!


We are trying to find our missing friends and the girl got attacked last night but let's wander among the ruins like we're tourists...


Wow. They stumbled onto the evil lair fairly quickly. Only 30 minutes in.


There is a sarcophagus which opens into an underground cavern, which further leads to a temple... And they are completely casual about this discovery


Wow, I'm surprised they even reacted to the falling chandelier


Meanwhile, back at the Inn...


When the local Baron sends you his Cadillac and driver to pick you up, you best not pass on the invitation...


Somehow I thought there might be more to a scene with two powerhouse actors... Instead they exchange five lines of dialogue, possibly never to meet face to face again for the rest of the film.


I just realized that Pleasence's Irish accent comes and goes


He was doing a heavy brogue in that one scene... Since he went to investigate, he is just speaking in his normal accent.


The movie's soundtrack seems to be comprised of the motion tracker blip sounds from Aliens


Part of the problem with this movie is that both the main girls - the abducted one and the one searching for her bf - look the same so I keep getting confused.


That is a common issue particularly among 70s films and the casting of blond actresses... But in particular to this Drive-in set. All 3 movies from it have had the same issue. 


My partner has commented on this numerous times as I subject her to these cult classics.


I've had to reverse and rewatch the same part several times because I was sure I missed something. Turns out it was just bad editing all along.


Apparently the KKK started in Greece and, contrary to popular belief, are Devil worshippers...


And to add to the confusion... Both the blond girls I mentioned earlier are dressed similarly, with the same denim short-shorts. I swear they used the same outfits for both characters.


It's better than most of this type but there are definitely some logical shortcomings and inconsistencies. Defo worth watching though.


Alright they got the van started! Now this priest gon' tear some shit up!


But no. Immediately they find the bodies of their dead friends. So nihilistic!


Okay I think the priest seems to know more than he lets on...


Ah this is another one of those "the-whole-town-is-in-on-it" plots.


Amazingly common with these types of films


Okay now they're gonna tear some shit up. The priest and his travelling companions just made a pact to go Phantasm 2 on these Devil worshipping mothahfuckahs!


Oh. When he talked about the weapons we need to fight them they weren't talking about welding two double-barrel shotguns together. They were talking about prayer and spiritual prep.


And apparently fetching the *same* jewel-encrusted cross they established earlier...? That he already had with him at the Inn...?


Jesus Christ this third act has no sense of urgency.


Drive back home...do spiritual prep...friends are in mortal danger but let's approach the evil temple at a lackadaisical pace...


It has less than 10 minutes left but the movie doesn't feel like there are mere minutes to go.


Ah in the final moments the power of Christ compels theSatanists...to EXPLODE!!!


Not today, Satan. Not today. You got six other sacrifices before this but we saved these three.


Also, the children survived... The same children who actually were doing the killings...but their souls are "incorruptible"?


I mean one might argue they were already corrupted but nice take movie.


And with that the movie just stops.


70s "B"/cult/exploitation movies are a unique breed. Upon the climactic moments most just stop without any form of denouement or proper conclusion.


I suppose this is an attempt to harken back to 40s/50s movies which often did the same thing. But still. Kind of leaves an empty feeling.


All in all it was a good, moody, effective thriller, despite its utter lack of thrills.

Let's Rock! Decoding David Lynch, One Film at a Time: Episode 2 - The Elephant Man

 Programme: Music video: River of Dreams - Billy Joel Short subject: Radar Men on the Moon - Chapter 8 The Enemy Planet Cartoon: Looney Tune...